DAY 1 - BARRICADE DIR. ALICE JOHANNESSEN

On an ordinary Monday morning, Aleena is sexually assaulted by Will, a boy in her class, while on the bus to school. We follow her throughout the school day as she grapples with what happened and the lack of a route to retribution. The everyday harassment that takes place at her school, once unremarkable, now looms large. Aleena continues to bottle her anger until a chance encounter triggers a unexpected act of rebellion.

DAY 2 - AFTER FRED DIR. RACHEL MEYRICK

The story of a miraculous escape and how it’s never too late to change. Charlotta’s violent marriage was brought to an abrupt end after 40 years when a shop assistant witnessed her being attacked and called it out. Two years on she is free and, aged 82, is blossoming as a warrior advocate, supporting women decades younger than her to face the court system after making their own escapes from domestic violence.

DAY 13 - THE SKY AFTER RAIN DIR. BLAME THE SHADOWS

To be queer is still taboo in mainstream Iranian society; it is considered sinful and unnatural, or at best, a psychological illness. Those from the LGBTQIA+ community are often told they bring shame upon their families. They are forced to hide their identity or risk abandonment and isolation.

Through a formalistic synthesis of recorded interviews, sound design, and choreographed dance—tells the story of Shaya; her attempts at testing society’s rigid gender boundaries and the transphobic events which eventually led to her making a difficult decision.

DAY 16 - BLACKWOOL DIR. EUBHA AKILADE

Naomi is a young black girl facing her first day at school in Scotland after moving from London. Carefully laying her edges on the bus there, she then quietly sketches in class. Teacher Miss Wilson is welcoming, but soon betrays her lack of interest in defending Naomi against Johnny, who mocks her afro as "sheep-like". After a hopeful encounter with 2 fellow classmates, who assure her he's just a bit of a twat, buoyed, she heads home via a chip shop, where she meets Tahira, who extends an offer of friendship. Walking home with her chips, she runs into Johnny and his friends, who continue their racially motivated sheep taunts, and escalate to grabbing her afro. Arriving home, she considers straightening or tying back her hair, as Miss Wilson says, but ultimately, admiring her punk style icons, she defiantly decides to make her hair as big as she humanly can.